This week, director Regina King walks us through the fourth episode, The Break.
So, I got the email.
He was like, Alright, let me see what I can do, whats available.
Credit: Ray Mickshaw/Fox; Steve Granitz/WireImage
What is your schedule?
By then, I only had a really small window to direct one of the episodes.
These are the dates.
I was like, Oh my gosh.
So it all worked out.
There were so many different rules that we cant break or else it would cost us more money.
When I say the graphics, I mean the font for Put her in the game.
That font is owned by somebody and you have to figure out who owns that font.
I didnt know that.
There are two scenes [at the whiparound] and both of those scenes I thought were really great.
The first one, he comes in and thinks hes got it all going on and he really doesnt.
Its really, really subtle, but its really spot-on and it makes you laugh.
Youre not necessarily laughing at him, youre laughing [with him].
Thats not easy and that really comes with having great timing and rhythm.
So, all three of us made sure that nothing was played too big or too small.
That was a very delicate scene and I feel like Kylie nailed it.
