From ‘Me and Mr. Jones’ to ‘Rehab’ to our pick for No.

1 see our picks of the late singer’s best

10.

‘Me and Mr Jones’

‘‘What kind of f—ery is this?’’

‘‘What kind of f—ery is this?’’ With that immortal line, Amy dispatched one unlucky fellow (some have guessed him to be rapper Nas, born Nasir

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‘Love is A Losing Game’

Nobody did bittersweet requiems for romance quite like her.

Over soul-jazz atmospherics and a rumbling melody that vaguely recalls Portishead’s ‘‘Sour Times,’’ Amy recognizes an old love for the lost cause he is; in

Amy unleashed her best Sarah Vaughan on this almost dirge-like ballad, a moody, deliberately slow-build spiral into beautiful despair.

Amy Winehouse | Long before American audience began paying attention, Winehouse sharpened her storytelling chops with this perfectly sly snapshot of aimless ‘n’ shameless blotto youth.

Winehouse, nearly immobilized with lust, is at her most sultry on this slow-winding dirty daydream of a song?baby-making music at its speakeasy-slinking best.

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A sweetly soulful chin-up to a doomed love affair in which Amy, battered by romance but never beaten, sang herself back to fighting form with

Amy Winehouse | Original artists the Zutons sang it just fine, but when Back in Black producer Mark Ronson asked Amy to take on the song on his

Nobody did bittersweet requiems for romance quite like her. Over stately, prettily plodding piano and strings, Winehouse crooned a mournful farewell to one unforgettable paramour

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She said ‘‘no no no,’’ and suddenly the world said ‘‘yes’’ to a new superstar. The song that took her from U.K. upstart to global

‘‘Rehab’’ may be her signature song, but ‘‘No Good’’ had every one of the elements that made a Winehouse song great: pain and pathos delivered